"A Reasonable Hypothesis"
                                    by Jack Ferry
                            (c) 2002, All Rights Reserved


            Title Card - "England.  10 years from now."

            BLACKNESS.

            Quietly, a slow irregular rhythm of electronic beeps ring out.

            LOUD - the steady ringing of a heart monitor gone flatline.

            VOICES, muffled and almost unintelligible:  Two medics in a
            hospital, rushing to someone’s aid.

                                NURSE
                      ...Three One-Thousand, Four One-Thousand,
                      Five One-Thousand...

                                DOCTOR
                      CLEAR.

            BOOM.  Blinding light, two indiscernible shapes, then...

            BLACKNESS again.

            FLATLINE ringing.  Muffled voices.

                                DOCTOR (CONT'D)
                      CLEAR.

            BOOM.  Blinding light, two blurry figures of the medics, then...

            BLACKNESS again.

            FLATLINE ringing.  Muffled voices beginning to fade out.

                                NURSE
                      ...Four One-Thousand, Five One
                      Thousand...

                                DOCTOR
                      CLEAR.

            BOOM.  Blinding light, two distorted faces, mutated demons
            surrounded by needles, machines, tubes.    The blinding light
            intensifies...

                                                     QUICK FADE TO WHITE.

            LOUD FLATLINE slowly fades out as the white screen...

                                                         FADES TO BLACK.

            BLACKNESS.

            SILENCE.

            Slowly, a steady BEEP BEEP BEEP fades in until it’s a strong
            healthy rhythm.

            An EYE shoots open.

            Everything is blurry and blazing in white.

            The eye shoots its glance around the room at the
            nightmarishly distorted shapes of the machines and jagged
            instruments.

            MICHAEL, 18, on a table slat, tries frantically to pull
            himself off the bed.  His movements are restricted to small
            violent spasms.  He’s nearly paralysed, and appears to be
            tied down by wires puncturing his skin, charging his muscles
            like batteries.

            The monitor above his head beeps loudly with the same
            intensity of his convulsions.  

            He begins to choke on the tube down his throat.  Blood spits
            out of his nose.

            The beeping quickens, like an alarm.

            Fingers grasp for the edge of the bed.

            Irregular hissy breaths, struggling to pull oxygen through
            the miles of tube.

            Eyes tear, blood red.

            A person enters the room now, wearing a white lab coat.  It
            exists as a silhouetted figure.  It approaches MICHAEL.

            Suddenly, into the light, IN CLOSE, and through the blur:

                                NURSE
                      HELLO THERE!

            A gaunt cockney woman with big crooked teeth.

            This sends MICHAEL into a blind panic, though he can barely
            move, captive to his paralysis.

                                NURSE (CONT’D)
                      Let’s get this out, shall we?  See if we
                      can’t do it on our own, ey?

            The NURSE grips the tube that is down his throat and slowly
            slides it out of his mouth with a fluid violence.

            MICHAEL chokes as he tries to catch his breath.

            The room spins.

            Panic beeps so quick they blend together like machine gun
            fire.  This activates an automated IV.  Versed slugs down a
            tube into MICHAEL’s arm.

                                NURSE (CONT’D)
                      Uh oh.  Nighty night.

            Blurry peace.

            Eyes close.

                                                          FADE TO BLACK...






                             (c) 2002, John F. Ferry,
                                All Rights Reserved.


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